Edgar
Allen Poe had favored the idea of poetry as appealing only to the sense of
beauty. Curtis agreed. Curtis also believed that life itself should be a
beauty, and today his feelings were close to bliss. The park showed as a
haze of enchantment around him, but there wasn't any exaltation or great
sense of poetic discernment in his mood. The foliage, flowers, and the
colors of the dashing children were wonderful if ill-defined, like one
explosion or splash of expressionist paint.
It was
a pity the illusion wouldn't last. A minute or a moment here and there, and
things would fall flat before him. He wasn’t a poet, and currents of
emotional splendor didn’t run in his mind. As it was, the good of his life
was the odd, lucky flash, always left unexpressed.
This
time, it was sunlight reflected off the windows that put his feet back in
reality. He was approaching the old stone building at the end of the park
walk, where he worked. It was a grim place in his thoughts, and many
cobwebbed things were in it. He thought of it as the prison of his life. His
wife was a fixture there, although she didn't work there. She had a special
lack of beauty. Mainly, she was a mistake of youth; being a fool, he'd
married a plain girl his parents approved of, and if the flower of beauty
fades, the weed of plainness mutates. Even the thought of Ann was a blow to
decency, and he would always try to think of her as just a word to spare
himself the picture.
Now the
word tumbled in his mind, and with it came the second stage of sobriety,
appearing as grayness at the end of the grim tunnel. Yes, today he was
getting rid of Ann. Down the road, there would be pretty women, and a part
of his soul would be saved. Not that he was doing it for lust. Just being
with a refined lady would be enough, and he didn't mind the idea of paying
for it.
Good
old Amtac, and good old Jake, he thought as the security guard let him pass
through the turnstile to the elevators. Yes, good old Jake and his love of
reminiscing and the past. In fact, it was because he was such a bore that
he'd earned the name good old Jake. There wasn't anything that didn't remind
Jake of the way it was in the old days. But all the suffering Jake had put
him through had a payoff. Jake was a little on the dishonest side; he'd used
Amtac equipment to invent a new drug. He'd even tested it on Amtac lab
animals. If Jake were found out, he'd be shuffled out in a hush-hush affair.
They'd never let it get out that he was testing a sort of designer
strychnine on animals, killing them horribly.
Why did
Jake do it? Well, it was because a pal of his from the old days was an
insignificant actor who wanted a drug that'd make his face twitch like he'd
been dosed with strychnine, only without harming him. Jake failed, of
course. Jake always failed. His new drug killed rabbits faster than bullets
could.
Now, it
has to be the perfect crime, Curtis thought as he unlocked a heavy metal
cabinet. Edgar Allen Poe, the clever fellow, had favored thinking things
through before going ahead with them. And Curtis pictured the upcoming
events all while fancying he was Poe thinking through a plot. It was the
beauty of a sort. He would pop home at lunch, slip the colorless, odorless
liquid in Ann's drink, and she'd die. She'd convulse like she'd taken
strychnine, and the homicide fellows would check for that. But there'd be
nothing. It was a new drug of unusual composition. Ann's death would be
listed as natural, and for sure, Jake wouldn't open his mouth about it.
Sunshine broke through; ice cracked in his mind. He watched people pass on
the street. The little things made them happy. That he knew. Only a fool
would think happiness was within. Surround yourself with those beautiful
little things, and you'll be happy. Yes, he knew the secret of life, and his
joy would be real. The reality of beauty would be his, and in a way, he
pitied those poor deluded idiots out on the street. They were probably happy
about going to work or something equally ridiculous.
Ann
served him some tuna salad. Ann was such a dear, and he ate with relish,
knowing she would never suspect the truth. She looked at him with motherly
eyes. In her pasty-faced kind of way, she adored her husband. Then she took
a sip of lemonade, and the situation exploded. The table went over, and
china shattered as she began to twitch and dance like a marionette. Curtis
ducked back, feeling satisfaction mingle with surprise. He could see her
face twisting like a demonic mask. It was the only hideous sight that had
ever made him smile. Ann was still shaking, bent double on the floor, when
he dashed out and returned to work.
Curtis
wasn't at all surprised when a policewoman arrived at Amtac, but the color
quickly drained from his face when the news wasn't of a death. His hands
shook, yet he took what pleasure he could from the policewoman's pretty face
as she drove him to the hospital. On the way, he learned that a repairman
had found her as he'd planned. But why hadn't she died?
“The
doctor thought you should be at her side,” the policewoman said as they
entered the emergency wing, then what light he had left in his mind turned
to gloom as they approached the end of the hall. A doctor beckoned, and they
went in to find Ann surrounded by the usual intensive care equipment. Her
face was covered by a mask, and he thought he could hear her mumbling
feebly, “Curtis, Curtis.”
“Why is
she wearing a mask?” he said with genuine surprise in his tone.
Rather
than answer, the doctor gently removed the mask. “We're not sure what she
ingested, but it has destroyed her facial muscles. They won't relax and
resume their natural state. You're lucky to still have her. She'll recover,
of course, but I doubt her looks can be saved.”
“She's
a dedicated woman,” the policewoman said. “She's been calling your name all
afternoon.”
Curtis
turned to stone and remained silent as Ann's hideous face rose up, killing
his dreams. He knew his future was hell. “Curtis, Curtis,” she mumbled, and
at first he choked, then he shook all over like he'd taken some of the drug
himself. Falling to his knees, he wept.
  . . . THE END . . .